{"id":6297,"date":"2025-06-20T16:00:15","date_gmt":"2025-06-20T08:00:15","guid":{"rendered":"https:\/\/www.silkdivas.com\/blog\/?p=6297"},"modified":"2025-07-04T15:20:00","modified_gmt":"2025-07-04T07:20:00","slug":"zhang-tianai-exudes-power-in-this-tang-inspired-look","status":"publish","type":"post","link":"https:\/\/www.silkdivas.com\/blog\/index.php\/2025\/06\/20\/zhang-tianai-exudes-power-in-this-tang-inspired-look\/","title":{"rendered":"Zhang Tian’ai Exudes Power in This Tang-Inspired Look!"},"content":{"rendered":"\n

In the historical drama The Litchi Road<\/em>, actress Zhang Tian\u2019ai appears as Lady Seventeen<\/strong>, stunning audiences in a Tang-style hanfu<\/a>. As soon as she made her entrance, viewers took to the internet, exclaiming: \u201cThat look, that aura\u2014she really brought the villainess to life!\u201d<\/em><\/p>\n\n\n\n

\u2160. The Striking \u201cTianbao Loose Hair\u201d Look<\/h2>\n\n\n\n

Let\u2019s start with the hairstyle. The Tang dynasty featured a vast and intricate system of hairdos<\/strong>, often characterized by what modern viewers might call \u201cHead is larger than face<\/strong>\u201d. The two hairstyles worn by Zhang Tian\u2019ai in her appearances are highly recognizable styles from the High Tang period<\/strong>, especially the one shown in the image on the right, where her hair is worn down in long, flowing locks.<\/p>\n\n\n\n

This particular look has been affectionately dubbed the \u201cTianbao Loose Hair<\/strong>\u201d style by online fans, since it reflects the aesthetic seen in portraits of noblewomen from the mid-Kaiyuan to late Tianbao era.<\/strong><\/p>\n\n\n\n

Both of these hairstyles appear in the famous Dunhuang mural <\/strong>The Governor’s Wife Offering<\/em><\/strong><\/em><\/strong>, specifically on the figures of the Eleventh Lady<\/strong> and the Thirteenth Lady<\/strong>. When compared to Zhang Tian\u2019ai\u2019s on-screen character, the resemblance is more than visual\u2014it also seems to symbolically align with the historical references. The fact that both hairdos appear in the same mural<\/strong> also speaks to just how widespread and fashionable <\/strong>they were at the time.<\/p>\n\n\n\n

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\u2161. Hairstyle Details<\/h2>\n\n\n\n

Let\u2019s start with the coiled bun style, which closely resembles the “Woduo Ji (\u502d\u5815\u9afb)<\/strong>“\u2014a hairstyle that was especially popular during the Kaiyuan era of the Tang dynasty.<\/strong><\/strong><\/p>\n\n\n\n

It\u2019s worth noting that the Kaiyuan era (713\u2013741 CE)<\/strong> marked the height of the Tang dynasty\u2019s golden age. This period was known for its stable governance, economic prosperity, and flourishing culture<\/strong>, and is often praised by later generations as the peak of Tang civilization\u2014the \u201cKaiyuan Golden Age.\u201d<\/strong><\/p>\n\n\n\n

During this time, Tang dynasty clothing<\/a>, hairstyles, and art<\/strong> reached remarkable levels of refinement and aesthetic sophistication<\/strong>, setting enduring standards for elegance in Chinese history.<\/p>\n\n\n\n

In this style, women would coil their hair into one or two buns on the top of the head<\/strong>, then allow sections of hair to fall loosely from one or both sides<\/strong>, creating a look somewhat similar to modern bangs or side-swept fringe<\/strong>. The overall shape is typically symmetrical<\/strong>, giving it a graceful and balanced appearance.<\/p>\n\n\n\n

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Let\u2019s talk more about the so-called “Tianbao loose-hair” style<\/strong>. Despite the name, the hair wasn\u2019t actually left hanging loose. Instead, it was first coiled into a bun and then arranged to fall down the back<\/strong>, giving the visual impression of loose hair.<\/p>\n\n\n\n

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Murals from the period show that this hairstyle typically featured a center part<\/strong>, with the hair falling symmetrically on both sides<\/strong> before being gathered and styled again at the back. Often, a topknot or decorative hairpiece<\/strong> such as a crown would be added to the top of the head to complete the look.<\/p>\n\n\n\n

This \u201cloose-hair\u201d style also appeared in the historical drama The Longest Day in Chang\u2019an<\/em>. In that version, the character wore a lotus-shaped headdress<\/strong>, which, along with the flowing hair at the back, helped fill the visual space behind the head<\/strong>, creating a look that felt both formal and effortlessly relaxed<\/strong>.<\/p>\n\n\n\n

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\u2162. Styling Choices in the Drama<\/h2>\n\n\n\n

Compared to traditional loose-hair styles, Zhang Tian\u2019ai\u2019s look in the drama features a more voluminous and dramatic effect<\/strong>, thanks to the addition of a design element called “baomian<\/strong>” (\u62b1\u9762 in Chinese).<\/p>\n\n\n\n

Literally meaning “Cheek-Hugging Hair,” baomian<\/strong> refers to hair that closely frames the cheeks. This effect was usually achieved by adding hair padding or sculpting the natural hair into specific shapes that wrapped around the sides of the face. According to the Treatise on the Five Elements in the New Book of Tang, \u201cToward the end of the Tang dynasty, women in the capital styled their hair to wrap closely around the cheeks.\u201d<\/p>\n\n\n\n

Later on, the term baomian<\/strong> came to refer more broadly to hair padding added to the three areas along the sides of the face<\/strong>, forming a fuller, face-framing silhouette that visually emphasized the shape of the head and face.<\/p>\n\n\n\n

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Of course, even during the Tang dynasty, it\u2019s unlikely that most women had such voluminous natural hair<\/strong>, so these elaborate hairstyles were often not made from real hair<\/strong>. According to the Treatise on the Five Elements<\/em> in the New Book of Tang<\/em>, noblewomen of the time used false hairpieces<\/strong>, known as \u201cyi ji<\/strong>\u201d (\u4e49\u9afb, literally \u201cartificial buns\u201d), as a key part of their adornment.<\/p>\n\n\n\n

Tall and elaborate hair buns were highly fashionable during the Tang dynasty, and to achieve the desired height and shape, women used a wide variety of hair extensions and filler pieces<\/strong>. These \u201cyi ji<\/strong>\u201d could be made from animal hair<\/strong>, wooden slats<\/strong>, or even real human hair<\/strong>\u2014sometimes collected from prisoners.<\/p>\n\n\n\n

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In classic Tang-style looks, women often adorned their foreheads with huadian<\/strong> (floral forehead decorations), drew arched \u201cmoon-shaped\u201d brows<\/strong>, paired with delicately painted lips<\/strong>, and added a flush of rouge on both cheeks<\/strong>. Gold hairpins and ornamental combs were placed in the hair to complete the look\u2014evoking the full grandeur of High Tang beauty<\/strong>.<\/p>\n\n\n\n

It\u2019s no surprise that viewers exclaimed, \u201cI almost didn\u2019t recognize her\u2014is that really Zhang Tian\u2019ai?\u201d<\/em><\/p>\n\n\n\n

<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

These are just a few examples of the more distinctive Tang-inspired hairstyles<\/strong>. In fact, there were reportedly over a hundred variations<\/strong> of Tang hairdos. From where the bun was placed to how it was arranged, the combinations of shape, position, and accessories<\/strong> were incredibly diverse\u2014an overwhelming display of creative styling.<\/p>\n\n\n\n

Summer<\/h2>\n\n\n\n

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Costume design in historical dramas has seen impressive improvements in recent years, with many viewers expressing their amazement: \u201cThis is exactly how <\/em>Chinese<\/em> traditional culture should be brought to the big screen!\u201d<\/em><\/p>\n\n\n\n

We look forward to seeing even more beautifully crafted Tang-style ensembles<\/strong> in the future\u2014helping to share the elegance of traditional Chinese clothing<\/a> with wider audiences.<\/p>\n\n\n\n

If you found this interesting, feel free to like and share! Stay tuned for more insights and fun facts about Hanfu and traditional fashion<\/strong>.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

In the historical drama The Litchi Road, actress Zhang Tian\u2019ai appears as Lady Seventeen, stunning audiences in a Tang-style hanfu. As soon as she made her entrance, viewers took to the internet, exclaiming: \u201cThat look, that aura\u2014she really brought the villainess to life!\u201d \u2160. The Striking \u201cTianbao Loose Hair\u201d Look […]<\/p>\n","protected":false},"author":4,"featured_media":6315,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hanfu-knowledge-unveiled"],"yoast_head":"\nZhang Tian'ai Exudes Power in This Tang-Inspired Look! - Silk Divas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.silkdivas.com\/blog\/index.php\/2025\/06\/20\/zhang-tianai-exudes-power-in-this-tang-inspired-look\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zhang Tian'ai Exudes Power in This Tang-Inspired Look! - Silk Divas\" \/>\n<meta property=\"og:description\" content=\"In the historical drama The Litchi Road, actress Zhang Tian\u2019ai appears as Lady Seventeen, stunning audiences in a Tang-style hanfu. As soon as she made her entrance, viewers took to the internet, exclaiming: \u201cThat look, that aura\u2014she really brought the villainess to life!\u201d \u2160. 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