{"id":7012,"date":"2025-08-21T10:37:56","date_gmt":"2025-08-21T02:37:56","guid":{"rendered":"https:\/\/www.silkdivas.com\/blog\/?p=7012"},"modified":"2025-08-21T14:11:40","modified_gmt":"2025-08-21T06:11:40","slug":"what-is-the-name-of-the-makeup-worn-with-hanfu-part-2","status":"publish","type":"post","link":"https:\/\/www.silkdivas.com\/blog\/index.php\/2025\/08\/21\/what-is-the-name-of-the-makeup-worn-with-hanfu-part-2\/","title":{"rendered":"What Is the Name of the Makeup Worn with Hanfu? (Part 2)"},"content":{"rendered":"\n

In the previous article, we talked about makeup from the Pre-Qin period to the \u201cgoose yellow look\u201d of the Wei, Jin, and Southern and Northern Dynasties. But with so many exquisite styles of makeup in the history of Chinese outfit<\/a>, it\u2019s impossible to cover them all.
What we\u2019ve chosen to discuss is only a small part of the most renowned looks recorded in Chinese history. If there\u2019s a chance in the future, we\u2019ll continue to explore the diversity and beauty of Hanfu makeup in more detail ~<\/p>\n\n\n\n

\u2160. Wei, Jin, and Northern & Southern Dynasties \u2014 Xue Yelai\u2019s \u201cMorning Glow Look\u201d<\/h2>\n\n\n\n

In the Record of the Zhuang Lou Ji<\/em> (\u300a\u5986\u697c\u8bb0\u300b) by Tang dynasty writer Zhang Mi, there is a story about this look. One evening, Emperor Wen of Wei was reading under the lamplight when his palace maid Xue Yelai came to serve him tea. She accidentally bumped into a crystal screen, bruising her cheek. The mark resembled the fading glow of dawn (\u6653\u971e\u5986), and the emperor was so captivated by her appearance that he put his book aside and doted on her even more.<\/p>\n\n\n\n

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Other palace women, seeing Xue Yelai gain favor, quickly copied the look by painting crimson streaks on their cheeks with rouge, imitating the injury. They called this style the Morning Glow Makeup.<\/p>\n\n\n\n

(Silkdivas tip: it\u2019s okay to chase beauty, but please\u2014no self-inflicted bruises!). <\/p>\n\n\n\n

\u2161. Wei, Jin, and Northern & Southern Dynasties \u2014 Princess Shouyang\u2019s \u201cFallen Plum Blossom Look\u201d<\/h2>\n\n\n\n

Fallen Plum Blossom Look (\u843d\u6885\u5986) Also known as Shouyang Makeup (\u5bff\u9633\u5986). According to legend, Princess Shouyang, daughter of Emperor Wu of the Liu Song dynasty, once rested beneath the palace eaves. A gust of wind shook the branches of a plum tree, and a blossom fell onto her forehead. The damp petals left behind a delicate plum-shaped imprint.<\/p>\n\n\n\n

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The palace women found the mark so charming that they began to imitate it. This gave rise to the fashion of painting or adorning the forehead with floral designs, later called hua dian (decorative forehead ornaments).<\/p>\n\n\n\n

\u2162. Flourishing Tang Dynasty \u2014 Two Bold Red Looks (Peach Blossom Look & Drunken Blush Look)<\/h2>\n\n\n\n

During the Tang dynasty, makeup was known for its bold and striking use of rouge, covering large areas of the face. A softer version was called Peach Blossom Makeup (\u6843\u82b1\u5986), where the cheeks were lightly flushed, resembling peach blossoms in early spring.<\/p>\n\n\n\n

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The most dramatic version, popular during the time of Yang Guifei, was known as Drunken Blush Look (\u9152\u6655\u5986). Rouge was applied not only to the cheeks but also heavily on the eyelids and even the ears, creating the impression of being tipsy. The process began with a layer of white powder, followed by thick rouge on the cheeks, giving a flushed, intoxicated look. This style was especially favored by young women, often paired with thin \u201cmoth eyebrows\u201d and mianye (\u9762\u9765) near the lips\u2014an iconic Tang aesthetic.<\/p>\n\n\n\n

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Women of that era were unapologetic in their pursuit of beauty. Their makeup was bold, extroverted, and extravagant. While to modern eyes it may seem overly heavy, it perfectly reflected the Tang dynasty\u2019s love for opulence. Moreover, makeup was a privilege reserved for certain social classes, and wearing it was not only about beauty but also tied to status and cultural expression.<\/p>\n\n\n\n

\u2163. Mid-Tang Dynasty \u2014 Dangerous Fashion Look<\/h2>\n\n\n\n

One striking style of the mid-Tang era was called Dangerous Fashion Look (\u65f6\u4e16\u9669\u5986). Its features included sorrowful, drooping brows, lips painted dark with black pigment, faces dusted with ochre powder, and streaks of red across the cheeks. (The cover image of this blog post features a beauty in Chinese outfit<\/a> wearing this exact makeup look.)<\/p>\n\n\n\n

Many scholars of the time criticized this look, saying it symbolized the decline of the Tang dynasty, linking women\u2019s beauty trends with social unrest. But women clearly disagreed\u2014they refused to carry the blame for being \u201cthe cause of chaos.\u201d<\/p>\n\n\n\n

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This ochre-style face paint actually came from Tibetan influence. On the Tibetan plateau, people often developed a natural flush due to the harsh environment, so they created a brownish cream from yak milk to protect their skin from the sun. Over time, this became known as the Tibetan Ochre Look<\/strong>. After the An Lushan Rebellion, when Tibetan forces entered Chang\u2019an, the style spread and was adopted into Tang women\u2019s makeup trends.<\/p>\n\n\n\n

\u2164. Song Dynasty \u2014 \u201cTanyun Look\u201d<\/h2>\n\n\n\n

By the Song Dynasty, under the influence of Neo-Confucianism (Cheng-Zhu school), women\u2019s makeup shifted away from heavy, glamorous looks to a lighter, more natural style.<\/p>\n\n\n\n

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One of the most popular trends was called \u201cTanyun Look\u201d (\u6a80\u6655\u5986). The process began with a layer of white powder as a base, followed by a soft application of sandalwood-tinted blush. This blush, a pale pink powder, gave the effect of a natural flush\u2014like rosy cheeks shining through fair skin. The result was a fresh, elegant look that mimicked a \u201cno-makeup\u201d makeup style centuries before the term existed.<\/p>\n\n\n\n

\u2165 . Song Dynasty \u2014 Pearl Facial Decorations (\u73cd\u73e0\u9762\u9765)<\/h2>\n\n\n\n

Although Song Dynasty makeup leaned toward simplicity, women still valued refinement and elegance. At court, pearls were first used as facial adornments. <\/p>\n\n\n\n

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While noblewomen could afford pearls, common women often used alternatives such as gold foil, seashell inlays, flower petals, or small cutouts from plants.<\/p>\n\n\n\n

\u2166. Ming Dynasty \u2014 Natural \u201cBare-Face\u201d Look & the \u201cThree Whites\u201d Look (\u88f8\u5986\u3001\u4e09\u767d\u6cd5)<\/h2>\n\n\n\n

In the Ming Dynasty, women\u2019s makeup emphasized brightness and vivid colors. Compared with the later Qing style, Ming women preferred lighter blush and more natural lip colors. Building on the Song era\u2019s elegant minimalism, their look was similar to what we might call \u201cnatural hanfu makeup\u201d today.<\/p>\n\n\n\n

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To enhance facial structure, they developed the \u201cThree Whites\u201d technique\u2014highlighting the forehead, nose, and chin with pale powder to create a more dimensional effect.<\/p>\n\n\n\n

\u2167. Qing Dynasty \u2013 Elegant Simplicity<\/h2>\n\n\n\n

During the Qing Dynasty, women\u2019s makeup emphasized subtlety and restraint, with an overall focus on elegance and simplicity. Eyebrows were thin and slender, shaped like willow leaves; eye makeup was soft and understated; and pink-toned rouge was commonly used to highlight a delicate, gentle feminine look\u2014quite a contrast to modern makeup\u2019s emphasis on highlighter and contouring!<\/p>\n\n\n\n

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Classic Qing Dynasty makeup included: crimson lip makeup, willow-leaf thin eyebrows, three earrings per ear, and the “double bun” hairstyle.<\/p>\n\n\n\n

X<\/strong>. Qing Dynasty \u2013 Crimson Lip Makeup<\/h2>\n\n\n\n

The popular “crimson lip makeup”(\u7edb\u5507\u5986) of the Qing Dynasty, as seen in historical paintings, involved applying color only to the center of the lower lip (with the upper lip left bare). This style exuded softness and grace, aligning closely with the traditional image of an Eastern beauty.<\/p>\n\n\n\n

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Some believe this look may have been influenced by the Han ethnic group\u2019s “cherry-blossom mouth” aesthetic\u2014 a result of cultural fusion between the Manchu and Han peoples.<\/p>\n\n\n\n

Summary<\/h2>\n\n\n\n

Makeup is a way to enhance your own charm and also a sign of respect for others. Which Chinese outfit<\/a> makeup style is your favorite? Share your thoughts in the comments!<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

In the previous article, we talked about makeup from the Pre-Qin period to the \u201cgoose yellow look\u201d of the Wei, Jin, and Southern and Northern Dynasties. But with so many exquisite styles of makeup in the history of Chinese outfit, it\u2019s impossible to cover them all.What we\u2019ve chosen to discuss […]<\/p>\n","protected":false},"author":4,"featured_media":7039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-7012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-must-read-for-hanfu-novices"],"yoast_head":"\nWhat Is the Name of the Makeup Worn with Hanfu? 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